Most people have probably heard of Staffordshire Porcelain, and most vintage and antique porcelain collectors are probably familiar with the name. Is it a company name? Is it a style, or type of porcelain? Is it just a region that porcelain comes from? Or could the answer be all of the above? There is a noted porcelain company named Crown Staffordshire, and Staffordshire is a region that was, and still is , home to many English porcelain makers. And it is also associated with a style of porcelain design — Blue Ware was a porcelain design that originated in Staffordshire. So yes, the answer is that Staffordshire porcelain is all the above, and most collectors of Staffordshire antique porcelain know that this is a very broad category, so they almost always focus their collections on one aspect of Staffordshire porcelain. As a region, Staffordshire became the hub for many English porcelain makers and manufactories because of its close proximity to the source of Devonshire clay, a prime ingredient in the formula for most types of English porcelain. Its location was also central to major water and land transports of the time, which is another important consideration when deciding where to establish a manufacturing facility.
Blue and White ~ Ceramics in the City of Angels
Porcelain production began in Japan in the early seventeenth century, several hundred years after it had first been made in China during the Tang dynasty — This refined white ceramic requires more advanced technology than other ceramic types. The vessels are fired at very high temperatures so that they are strong and vitrified, as opposed to low-fired earthenware, which is porous and easily breakable.
With archeological examples dating back to B. Over the years clear regional styles developed, with the quality of the products largely dependent on the types of clay found in the area. Ceramics traditions also crossed borders: with the migrations of people and as a commodity across the region. Gold is liberally featured and the intricately repeated patterns are applied much more thickly than in the earlier Chinese examples, giving a highly textured finish. Last month I was able to visit two porcelain factory outlets close to Bangkok for a small glimpse of the quality and range of Thai ceramic products.
Every piece is painstakingly painted by hand — a fact that is NOT, by Western standards, reflected in the local selling prices. Siamese Aristocats? Greenware in the Workroom. Artisan at Work: Three days for a piece this size, he told me.
blue and white pottery
The characteristic white-and-blue patterned tableware has been made in the same village for over two hundred years.
A look at English, American and Continental Victorian majolica and faience from a historical, aesthetic and collectible point of view. Good to know Chinese Porcelain – Qing Dynasty. Shop for—and learn—about vintage and antiques. Browse the best of eBay, connect with other collectors, and explore the history behind your favorite finds.
A site which provides useful information on Yaozhou greenware. During the Kangxi period, the habit of adding reign marks on porcelain not commissioned by the emperor are known to have been addressed and forbidden by public edicts. It is likely that this is an example of one of these period but not Imperial marks that these regulations was aimed at quelling. It is also worth pondering of this mark is not written by the same person as the above, but just a little bit faster. View auction details, art exhibitions and online catalogues; bid, buy and collect contemporary, impressionist or modern art, old masters, jewellery, wine, watches, prints, rugs and books at sotheby’s auction house.
Antique Rookwood pottery is one collectible to look out for. Dating Rookwood marks is relatively easy as the company marked its pottery from the start. Detail: Inscription Bowl. With inscription ‘bao yong’ precious for use.
Antique china marks
Pottery identification is a valuable aid to dating of archaeological sites. Pottery is usually the most common find and potsherds are more stable than organic materials and metals. As pottery techniques and fashions have evolved so it is often possible to be very specific in terms of date and source. This Jigsaw introduction to pottery identification is intended to get you started with basic guidelines and chronology.
EIA pottery. Nene Valley Mortaria — AD.
The history of printing on ceramics is an evolving story. although some of the earliest printing on Worcester porcelain, dating from about , may printing had become the main technique for decorating blue and white porcelain and it.
Nanjing Museum. Under the Ming Emperors Chinese art blossomed, and large amounts of porcelain was exported to Europe, where scientists tried unsuccessfully to copy it. For more about traditional Chinese arts and crafts, see:. Indianapolis Museum of Art. A perfect illustration of the Ming method of adding manganese to cobalt blue to produce a more precise line in underglaze painting. For later dates and chronology, see: History of Art Timeline.
For movements and periods, see: History of Art. In ceramic art , the term “Porcelain” derived from the Italian word “porcellana”, meaning a type of translucent shell describes any ceramic ware that is white and translucent, no matter what ingredients it contains or what it is made for. It is however fired at a higher temperature than regular earthenware.
In Chinese pottery , the porcelain clay body is typically heated in a kiln to between 1, and 1, degrees Celsius.
Chinese pottery designs. Kiln size varies, with small kilns plug into a volt electrical outlet, making them convenient for small businesses to use. Abstract designs such as interesting color effects with splashes, dabs, blending and merging of colors etc. Japanese and Chinese Porcelain marks, Chinese pottery and porcelain, Chinese Imari export porcelain, Chinese porcelain, Chinese famille rose, famille verte and Rose Medallion porcelain and an active Collector Forum.
However, the mixing of red clay into the body of the pottery, and the application of pictures and designs firmly increased its expressiveness.
At first, the transfer patterns were copied from the blue and white Chinese designs found on the hand-painted porcelain that was popular in the 18th century.
Quality Blue and White pottery is being produced in both the world-famous blue on white cobalt design and the colorful Maiolica earthenware. Gzhel is more than just fine china, it is an embodiment of the Russian artistic spirit. Because each piece of Gzhel Gzel is painstakingly handcrafted and painted, it is a piece of artwork that is individually unique. Each porcelain piece is made with the highest attention to detail, by people who devote their whole lives and careers to accentuate the art of Gzhel porcelain making, making it a testament to the highest quality of work ethic.
The oblast of Gzhel could not be a more perfect location for ceramic production — the temperate climate, the rich and luscious forests, crystal clear lakes, and, very importantly, the strong presence of rich clay deposits. All this attracted craftsmen from all across Russia to this humble little village. In time, the masters of Gzhel learned to produce really high quality faience, which was said to be comparable to English creamware.
Porcelain is produced similarly, but unlike stoneware it becomes a translucent white and as such is highly desirable. After the porcelain is crafted, the unglazed porcelain pieces are painted with special, cobalt blue paint. Then the painted products are burnt in the high-temperature ovens to dry the paints.
Transfer Printed Pottery
Explore Mikiko Hara’s photos on Flickr! The ladies at Azulsahara, were inspired by Board China Cabinet to create Viena, a modern spin on that classic, preppy look. Well-known by European brides, Azulsahara wedding stationery …. Hello everyone, Is all this wet chilly weather making you feel blue?
Chinese 18th C Blue and White Porcelain Vase Jar Kangxi Period Antique Chinese Porcelain Qianlong Mark Blue White Landscape.
As with anything attractive, there are many copies of the famous Delft blue porcelain that have been made over the years. This distinctive blue and white pottery often depicts scenes from Holland, but back in the old days had a more botanical feel, with tiles, spoons, pitchers, and bowls bearing all kinds of designs.
Today, many of the Delft pieces most commonly found in stores are of the tourist variety — sold for a quick buck without the true hallmarks of traditional Delftware. In the s the Dutch explorers brought in wealth and a variety of products for the nation, which made them a world-class trading partner for other European countries. All of these products held up well over long voyages and were soon considered indispensable for the well-to-do in Europe, the Middle East, and even in the Americas.
What made Dutch pottery so special was that the tea culture in Europe had not yet evolved and at the time the Dutch were some of the few making teacups and the proper paraphenalia whith which to drink tea. The hand-painted pieces were lavishly decorated in vibrant blues, but also other colors like black, red, and yellow, depending on the design.
The initial copied designs of the late 17th century were intended to sate the Dutch desire for all things Eastern at the time. The formation of the Dutch East Indies Company in what is today Indonesia was a huge trading force which led to the colonization of the area. The success of new crops and goods from Indonesia gave rise to a craze for Asian-inspired goods. But, Chinese pottery was quite expensive to import and this made it largely inaccessible to the even the upper classes.
The first imitations were made for tea drinking, another Eastern influence. These early Delft teapots and cups were not porcelain, but were in fact pieces of earthenware which had been dipped in white glaze in order to imitate the fine Chinese pieces that were so exclusive. Created as an imitation of Chinese pottery, which used blue and white together for a unique look, the first Dutch versions copied the Chinese patterns.